The palette inside the Coach House is an uplifting, not-too-stark range of earthy neutrals starting with Porter’s Sphinx, French Green and triple Greythorne, with timber elements and brass details. It’s classic modern farmhouse, in a nutshell.

To settle this grand old structure and make everything true, Craig laid a concrete slab throughout with herringbone flooring to go over the top at the end of the build. That meant we had to manufacture the kickers or timber ribbing for any joinery extending to floor level 16 millimetres short to allow for that flooring to slide straight under when it’s installed. It’s little details like this that really make the difference. That’s why we always strive to have a good working relationship with any project builder and/or architect.

As the kitchen is the real hero (Prince Charming?) in this story, let’s start there. Sited butting up to the grand arch window, it fills the kitchen with light and a glorious outlook. We planned the L-shaped layout meticulously to offer the maximum storage, as well as accommodate these Belling appliances: the 600-millimetre underbench oven with induction cooktop above; a concealed rangehood; and a dishwasher fully integrated to become invisible.

Whilst the palette is deliberately restrained, it’s not quite as black and white as it might seem. There is subtlety and nuance. The custom-built bench cabinetry, for example, is stained just a little lighter than charcoal, so it still reveals the grain and texture of the Tasmanian oak. The Oceanic profile overhead doors and open shelving, meanwhile, are painted in Porter’s Washed Linen. This shelving was a good test of our building and installing precision as they had to fit snugly underneath a support beam and line up perfectly with the frame for the overhead doors.

Every detail is clean, precise and beautifully understated. But like a duck gliding on the top of a pond, there’s a lot going on underneath the surface. The block curve end to the peninsula, for example, is made from solid 20mm Tassie oak ribbing, which continues along the island back with push-to-open doors concealing extra storage and a place for the wine. A protruding curve houses a charging station for iPads and mobile phones. And the radius of the peninsula continues right to the marble splashback with a return into the living room finished with another curved corner.

Originally, the marble benchtops and splashbacks were going to be made from the statement CDK Twilight, a mix of green, charcoal & cream to tie in with the charcoal Tassie oak. But with our help through selections, they opted instead for the 20-millimetre Arabescato Vagli from CDK with its more neutral white, grey and light brown tones, subtle & sophisticated.

Subtly shimmering between the dark joinery and the marble benchtop is a brass shadowline, which links to all the brass sanitaryware from ABI Interiors used throughout the home. And there’s one more subtle touch of brass, quite literally: the black leather recessed drawer and door handles from MadeMeasure in Melbourne have a little brass core.

Opposite the kitchen is the multi-purpose service room that combines a pantry with a laundry (would that be a pandry or launtry?). Again, the clients had second and third thoughts about this. But, full credit to them, they finally went back to the idea as originally presented. As briefed, this small room had to pack in a lot of equipment and deliver a lot of storage, so we really sweated over the detail of the floor-to-ceiling storage to avoid door clashes and wasted space. In fact, as well as the huge fridge, washer & dryer tower, microwave and Thermomix, it now also offers a space for the toaster and kettle, keeping the kitchen benches gloriously sparse.

Originally, to manage costs, we proposed that – as it was a service room – they might consider melamine and laminate to be used in here. But, in the end, the budget allowed aesthetics to rule the day and all the joinery was finished in two-pack topped by more of that magnificent marble. In fact, now it’s almost a complete extension of the kitchen design, albeit with Lo & Co black Ascot knobs to echo the MadeMeasure ones next-door.

There’s even a narrow cupboard to store the ironing board. Mind you, that small cupboard did also create a small headache: the original plumbing had to be reconfigured to ensure the waste and water points fitted perfectly. Such is the cost of perfection.

Making our way into the master bedroom, let’s take in the walk-in robe on our way to the ensuite. On one side is the hanging robe, which is split into six equal doors. The far-left door hides an angled shoe display, whilst the remaining five open to reveal half- and full-hanging spaces.

Opposite these is the wall of tallboy storage with two narrow top drawers and two deep bottom ones. One of the lovely bonuses of the build was that there was just enough of the Arabescato Vagli Marble stone from CDK left over from the slabs we ordered to create the benchtop for this tallboy benchtop. The doors on all the units were built with a 15-millimetre Oberon profile and painted in two-pack satin finish (Porter’s triple Greythorne) adorned with Lo & Co matt-black Linear pulls echoing the hand-made handles in the kitchen.

The choices for both the ensuite and the main bathroom were totally in sync, with wall-hung vanities, Tassie oak timber veneer fronts (this time, stained to match the herringbone timber flooring in the living areas) and Arabescato Vagli marble tops with undermounted matt ceramic sinks, brass wastes and wall-mounted brass tapware once again from ABI Interiors. The trickiest part of building the vanities was – perhaps surprisingly – the drawers, which needed to be carefully shaped around the undermounted sinks and their plumbing.

The ensuite is tiled from wall to wall with a mirror-faced shaving cabinet overhead, its frame painted in a two-pack to match the tiles. The main bathroom features a soft block curve on the end of the vanity and neutral terrazzo floor tiles.

On the day we came back to take these photographs, the clients were very happy to tell us how thrilled they were with how everything had come together. And – just like a fairytale, they’re living in the Coach House for their Happily Ever After.